Dave’s Faves from the international photography sale at Joels

Cecil Beaton

Lot 21, Cecil Beaton

For the last week, David has been raving to me about this book he is reading, and he can’t stop talking about it.

I must admit ‘Capturing the light: a true story of genius, rivalry and the birth of photography’ does sound like a brilliant read, and I want to get around to it in the holidays, too. After all, I have some catching up to do, as I was well aware of Louis Daguerre, but not Henry Fox Talbot (this perhaps shows the cultural differences between the British and the continental Europeans…).*

So when this particular auction catalogue from Leonard Joel arrived, not surprisingly we both lunged for it: it presents the Dinesh Parekh Collection of International Photographs, with 355 lots to be offered on 15th December in Melbourne.

It is an amazingly comprehensive offering of some of the best known photographers worldwide from the earliest days. No, there isn’t one by Louis Daguerre in it, but two by Henry Fox Talbot (lots 306 and 307), dating from the 1840s. There are gems by Ansel Adams, August Sander, Brassai, Henri Cartier-Bresson and Robert Doisneau, to name just a few.

Interestingly, unusually (and very helpfully), the catalogue is sorted by the photographer’s last name, which makes it very easy to find a particular artist.

In short, I said to David: “You just have to do another Dave’s Faves on this one. This is a unique opportunity that won’t be coming up in Australia anytime soon again, so pick your faves as quickly as possible, otherwise I’ll do it!”

So here they are, Dave’s Faves from the Dinesh Parekh Collection of International Photographs:

Lot 21 – Cecil Beaton, Untitled (Ball), 1951, est. $800-1,200. You can’t beat Beaton

Lot 34 – Enrique Bostelmann, i. El Sobre, 1974, ii. To Market (Hacia el Mercado), 1968, iii. Paternidad, 1968, est. $600-1,000. Viva Mexico!

Lot 44 – Brassai, Untitled (Eating at the Velodrome), ca. 1932, est. $3,000-4,000. Tour de Brassai!

Lot 55 – Manuel Alvarez Bravo, Mexico, 1938, est. $1,500-2,500. Mexican Master

Lot 63 – Julia Margaret Cameron, Mrs Herbert Duckworth, 1865-66, est. $3,000-5,000. Premier Portraitist

Lot 121 – Roger Fenton, Crimean war, 1855, est. $1,400-1,800. Foreign correspondent

Lot 148 – Philippe Halsmann, Dali’s Skull, 1952, est. $700-900. Dali’s skilful skull

Lot 169 – Yousuf Karsh, Alberto Giacometti, 1965, est. $1,500-2,500. Can you spot Alberto?

Lot 240 – Eliot Porter, Maple Leaves and Pine Needles, 1956, est. $1,000-1,500. Don’t leave this one

Lot 307 – William Henry Fox Talbot, The Hungerford Suspension Bridge, 1842, est. $5,000-7,000. One of the earliest photographs with excellent provenance by one of photography’s inventors

You can see the catalogue online at www.leonardjoel.com.au.

Personal viewing is at 333 Malvern Road, South Yarra, from 11 to 14 December. The auction is on Sunday, 15 December, 2 pm.

Of course, we are happy to advise you and do due diligence on any lots that may interest you – just email us on info@bhfineart.com or ring David on 02 9977 7764.

We hope that you enjoyed our newsletters, and would like to thank you for your support.

We both wish you a Merry Christmas and a Happy New Year, and are looking forward to an exciting year 2014 in the art world!

Kind regards

Brigitte and David

 

*Capturing the Light, by Roger Watson and Helen Rappaport, published by MacMillan, 2013

PS: I didn’t want to keep these quotes by Daguerre and Fox Talbot from you, as they so speak for themselves:

Louis Daguerre, letter to Charles Chevalier 1839:

J’ai capturé la lumière fugitive et l’ai emprisonné! J’ai contraint le soleil à peindre des images pour moi! [I have captured the light and arrested its flight! The sun itself shall draw my pictures!] 

Henry Fox Talbot, letter to the editor of The Literary Gazette, 1839:

I hope it will be borne in mind by those who take an interest in this subject, that in what I have  hitherto done, I do not profess to have perfected an Art, but to have commenced one; the limits of which it is not possible at present exactly to ascertain. I only claim to have based this new Art upon a secure foundation: it will be for more skilful hands than mine to rear the superstructure.

 

Written by

Brigitte Banziger

Hello, my name is Brigitte Banziger and I am an art consultant and manager at Banziger Hulme Fine Art Consultants, Australia's art valuation and art advice experts. We offer comprehensive art valuation and art brokerage services (selling and buying art on behalf of clients). Our art services cover everything from valuations, art care and restoration, to general advice such as helping define the goals for your art purchase and work out the best strategy on how to achieve those goals, including where, how and and when to buy.

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